Monday was a busy day for K-Pop superstars BTS. This morning, the Korean boy band, freshly minted as “special presidential envoy for future generations and culture” by South Korean President Moon Jae-in, appeared with the leader at the 76th session of the United Nations General Assembly in New York and spoke to the power of today’s younger generations to create a more positive and healthy world. And in the evening, they joined the country’s First Lady Kim Jung-sook, a classically trained singer, and culture minister Hwang Hee at the Metropolitan Museum of Art, to present a gift from the South Korean government of lacquerware vessels by Chung Haecho.
“The eyes of the world are on Korean culture—Korean dramas, screen film, or music—but there are still many great Korean artists who are yet to be discovered by the world,” said BTS leader Kim Nam-joon at a bilingual reception on the Met’s rooftop garden, underneath Alex Da Corte’s swinging Big Bird sculpture. Kim added that in their news special envoy position BTS are armed with the mission “to try to spread Korean culture through the world and to everyone around the world”.
“We’re deeply grateful for this generous gift of contemporary lacquer vessels, a gesture that is particularly meaningful as we look ahead to 2023—when The Met will celebrate the 25th anniversary of our Arts of Korea gallery,” said the museum’s director, Max Hollein. The museum is also currently looking to endow its curatorial position for Korean art through a challenge grant from the Korea Foundation, Hollein said, adding that he and some of the curatorial team plan to travel to Korea next spring.
The gift of five richly hued vessels, Rhythm of the Five Color Luster (2013), will be included in the Met’s first exhibition dedicated to the art form, Shell and Resin: Korean Mother-of-Pearl and Lacquer (13 December-5 July 2022). The show will present around 30 examples drawn from the museum’s collection, from an exceedingly rare 12th century box from the Goryeo dynasty (918-1392) to a mixed media painting by the contemporary artist Lee Bul. The history and technical development of Korean lacquer, which traditionally features mother-of-pearl decorations inlayed in pigmented resin, will be examined in the exhibition, as well as the style’s significance across Asia, with examples of Chinese, Japanese, and Ryukyu (Okinawan) lacquers and South Asian mother-of-pearl.
Rather than using mother-of-pearl, Chung’s focuses on Korean lacquer itself—called ottchil—experimenting with pigment recipes to create works admired for their depth of colour and luster, according to the Met. The artist’s works are also in the collection of the British Museum, Victoria and Albert Museum in London, and the Philadelphia Museum of Art.
This is not the first example of BTS wielding their “soft power” abilities as cultural ambassadors. Last January, the hit band launched a series of five major public art projects, involving collaborations between some of the world’s most significant artists and curators around the world. Connect BTS took place across five cities from January to March 2020—just before the coronavirus shut down much of the international art world—with each artist commission the result of a curator who has “resonated with BTS’s philosophy”.
In a statement at the time, BTS said that “contemporary art and music are also two different worlds. This project is especially meaningful to us because it truly represents diversity and creates a collective, positive message for the world that we value. Through this project, we hope to return the great amount of love and support from our fans, Army, and all audiences.”
The band seems to have made at least one new fan at Met today. “Your big hit right now is Permission to Dance,” said Hollein at the gift giving. “That’s exactly what we need right now, at what I hope is the tail end of the pandemic. We need to dance more.”
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